James breaks it off with Katie, but feels bad about it. He doesn’t like hurting people. At least he’s seeing Monica tonight, she’s always fun. He doesn’t connect with her though, not like with Sarah – but they’re just friends. He was close with Natalie too, until she moved to LA. That reminds him, he’s going to work with that actress, Anna something. She’s probably too famous to talk to him though. And besides, Lily should be back soon and he really wants to see her. Sometimes he misses Lorraine, but thinking about her just makes him sad. Whenever he feels lonely, he texts Rapunzel – that’s not her name, he just can’t remember it. He should really delete her from his phone. But he can’t.
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Released from prison for a crime he didn’t commit, a man (Boyd Holbrook) goes on the run with a woman (Elisabeth Moss) who’s suspected of killing her abusive husband.
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Released from prison for a crime he didn’t commit, a man (Boyd Holbrook) goes on the run with a woman (Elisabeth Moss) who’s suspected of killing her abusive husband.
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Tung lau hap woo (original title)
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In the wake of cataclysmic events, a group of teenagers ventures into the unknown to find family and some hope for the future.
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In the wake of cataclysmic events, a group of teenagers ventures into the unknown to find family and some hope for the future.
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In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel alienated as he engages a nurse, Mrs Bolton, to bathe him and excludes her from pit business. Despite his desire for an heir his impotency results in a lack of sexual activity and Connie is drawn to handsome Oliver Mellors, the plain-spoken former miner her husband has engaged as his game-keeper and who represents the passion she craves. They embark upon a physical affair in Oliver’s cottage but are discovered and betrayed by Mrs Bolton. Connie, now carrying Oliver’s child, must choose between a pampered but joyless existence with her husband or an uncertain future with the man she has come to love.
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In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel alienated as he engages a nurse, Mrs Bolton, to bathe him and excludes her from pit business. Despite his desire for an heir his impotency results in a lack of sexual activity and Connie is drawn to handsome Oliver Mellors, the plain-spoken former miner her husband has engaged as his game-keeper and who represents the passion she craves. They embark upon a physical affair in Oliver’s cottage but are discovered and betrayed by Mrs Bolton. Connie, now carrying Oliver’s child, must choose between a pampered but joyless existence with her husband or an uncertain future with the man she has come to love.
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